Wednesday, July 06, 2016

Storytelling in Cupcakes

Last night I watched a light-hearted movie from Israel called Cupcakes. Since it was mostly in Hebrew I’m sure I missed some parts of the movie that didn’t make it into the subtitles but overall I thought it was a good model for storytelling.
The main plot is about six friends who live in the same apartment building who, in tryng to cheer up a neighbor whose husband has left, create a song and a video. One of the characters enters it in a competition for what I guess is supposed to be the Eurovision song contest, and they’re chosen to represent Israel.
Of course that causes conflicts for each of them, which are eventually resolved by the time of the performance in Paris. The woman whose husband has left learns to let go and have fun, which brings him back. The action of the movie allows the guy who's dating a closeted boyfriend to be honest with everyone. One girl meets a boyfriend, another realizes that a friend can be more, and a third accepts that her boss has been using her and changes jobs.
What I thought was interesting was how each of the six main characters had an arc throughout the movie, which was eventually resolved. Most of the arcs were romantic, but they covered everything from communication between parents and children and husbands and wives to coming out of the closet and artistic integrity.

An awful lot to jam into 70+ minutes! But the filmmaker did a good job in establishing each character and his or her conflict, then wrapping each strand up, though sometimes with a bit of coincidence. Overall, a good model for any writer, I think. Make sure that your characters stand out, that each has an arc, and you find a satisfying way of resolving that arc.

Wednesday, June 15, 2016

The Miami River

I’ve been intrigued by the Miami River since I moved to South Florida, some twenty-seven years ago. Its five and a half miles snake past empty lots and high-rise hotels, fading shipyards and condo towers, connecting Biscayne Bay to the Everglades, and has been a commercial transportation route since the first white men came to these shores and began trading with the Seminoles and Miccosukees.
In the 1970s, the Miami River was a major port for cocaine smugglers. That trade climaxed with a case called the Miami River Cops Scandal in 1985. The Mary C, a fishing boat loaded with $12 million in cocaine, docked at the Jones Boat Yard, and soon after a dozen policemen were alleged to have ransacked it and stolen the drugs. By the time the dust settled, about a hundred officers had been arrested, suspended or reprimanded and at least twenty were sentenced to prison for robbing dope dealers of cash and cocaine.

I worked in downtown Miami in the mid-80s, and my co-workers and I used to go to a little waterfront café right in the middle of the industrial zone, where we could watch freighters glide by, bound for Haiti stacked with stolen bicycles. Wrecked and abandoned boats littered its shores, and its waters were polluted. It served as a point of entry for illegal drugs and illegal aliens.
I was fascinated by the river, and even wrote a screenplay that took place there, called River Heat, about a naïve young Anglo with a powerboat who rescues a beautiful Nicaraguan revolutionary running along the riverbank. I spent a lot of time cruising around the river, looking for settings that evoked the images I wanted.
Even though I’ve moved a half-hour north of the city, I’m still interested in the Miami River. The climactic scenes of my newest book, Genie for Hire: A BiffAndromeda Mystery, concern arms smuggling from the backwaters of the former Soviet Union. The arms arrive at the Miami airport, smoothed along by a corrupt Customs officer, and then are offloaded to a freighter for shipment to Nicaragua.

The papers say the river has been cleaned up, but I’m sure there’s still a clandestine business going on there, which is terrific for a mystery writer.

Wednesday, June 08, 2016

We wore what?

I’ve been going through old photos lately and digitizing them, and it’s very funny to see the kind of clothes I wore back in the day. I was a bit young to be a hippie-- I was only twelve during the summer of love, after all. But what I wore as a teen was definitely influenced by hippie garb.

When I was fourteen, my parents sent me on a summer study program in Grenoble, France, and I bought the gauzy shirt I’m wearing in this photo at an outdoor market, and it has the kind of hippie Indian-influenced look that was popular for a brief time, along with the Nehru jacket fad. (And yes, I had one of those, too.) Tie-dyed T-shirts were popular too, but I never got into those.


I wore white tennis shorts for as long into the season as I could, even though my time on the tennis court was sporadic at best. When I got to college, I was exposed to a whole different way of dressing. 

A Huckapoo shirt
Rich kids from Long Island wore Huckapoo shirts and Guess jeans. Friday and Saturday night frat parties were a riot of wild colors and patterns. 
A Fair Isle sweater


Preppy girls wore Fair Isle sweaters and kilts with big safety pins.




Prep school boys wore Lacoste shirts with popped collars and the little alligators on the breast. They retailed for $16 at the time, but my parents had taken me to an outlet store in Quakertown, PA, where you could buy seconds for only four bucks. You had to pick carefully through to make sure you didn’t get ones with noticeable defects, but there were plenty to choose from.

This was long before the prevalence of outlet stores and malls, and the Quakertown store, adjacent to the factory, was only open for sales a few times a year. When my parents would get notice of a sale, I’d go around my dorm and collect orders for sizes and colors. 

Then I’d take the train out to Quakertown, walk a mile or so from the station to the factory, and fill my orders, sorting through endless piles of shirts to find what I needed. I’d load up my backpack and a couple of shopping bags, then return to campus to retail them for $8.00 each. A hundred percent markup for me, and a fifty-percent discount for my customers. It was quite a nice little side business, and gave me something to write about on business school applications.

Everyone wore clogs. One of my favorite shoe memories was sitting in the Rosengarten reserve room in the basement of the library at Penn, where you went to get materials that might not be widely available. Professors put photocopied articles there, as well as books you couldn’t check out. 

Donnie Deutsch, a lot older!

Donnie Deutsch, who went on to success as an advertising executive, friend of Donald Trump and reality TV star, came clumping in one night in his clogs, making so much noise you couldn’t help noticing him.



I got my first pair of Earth shoes when I was in college, from a store on Walnut Street near Rittenhouse Square in center city Philadelphia. I was fascinated by the research behind them, the way anthropologists had noticed that heel prints were deeper. It took a while to get used to them, and fortunately the fad passed quickly.



When I was in business school at Columbia, I spoofed the preppy look for this skit for the Follies, in my popped collar and Kelly green pants. 

Those pants were such a symbol to me of a kind of lifestyle and income level that I wrote a whole mystery story that began with them. It's in the collection Mahu Men, by the way. 

Who knows where the rest of these clothes will show up in my fiction?

Saturday, April 09, 2016

My inspiration for Liam

Fans of my Have Body, Will Guard M/M romance/adventure series from Loose Id will know about Liam McCullough, the hunky former SEAL who is one of the two heroes of the books.


When I began thinking about Three Wrong Turns in the Desert, the first in what has become an eight-book series, I wanted Liam to be a really hunky guy, and I went back to the photos of men I had collected when I was single.

This is the photo that inspired me, though I don't know who the model is or where the shot came from. I love his sexy body as well as the smile on his face.

When the series kicks off, Liam is in his mid-thirties. He's served in the SEALs during the time of Don't Ask, Don't Tell, and leaves the military under that directive.





Here's the photo from the cover of Three Wrong Turns in the Desert, which I used when creating romance trading cards. I'd say he's pretty close to the guy that I imagined, and the one in that photo above.

Loose Id used the same cover artist for the next couple of books so we were able to use the same photo, just cropped in different ways.



 

Dieux du Stade Calendar

 
Recently I was browsing the Dieux du Stade calendar and found the image below, which perfectly captures for me the way Liam looks today. Tough and well-muscled, though he's been around the block a few more times since the first book.
 
 
 

Friday, January 29, 2016

Win a Dozen Roses


With Valentine's Day approaching, who wouldn't like to win a dozen roses?
 
The 13 authors who've joined together for Happy Homicides 2: Crimes of the Heart, have set up this contest to promote the launch of our new book, coming out February 14, though available for pre-order right now.
 
 
 
 
I'm delighted that the bundle includes a 14,000-word novella I wrote specifically for this anthology. It's called "For the Love of Dog" and brings a murder to the Chocolate Ear café in Stewart's Crossing, which readers of my golden retriever mystery series will recognize. It's a favorite hangout of my reformed hacker hero, Steve Levitan, and his crime-solving golden, Rochester. The café's owner is converting a space next door to a place where dogs and their humans can sip and dine together-- and what dog lover wouldn't like a place like that to go? (Even if there might be a chalk outline of a dead body on the floor...)
 
Follow this link to enter the contest:  

Saturday, January 16, 2016

Wasting Away on Hollywood Beach





Cloudless blue sky over the ocean
Walking toward Margaritaville

It was a gorgeous day today, so I drove over to Hollywood Beach to check out the new Margaritaville Resort. I wasn't about to pay $30 to park at the hotel so I drove down the beach a ways and found a spot in a public lot.


Colorful beach hut

I liked these brightly colored umbrellas
Pool waterfall
Margarita glass chandelier in the lobby
The flip top and pop top

More parrots!
Beachfront sign
Didn't get a chance to stop for a margarita, though

Friday, January 08, 2016

Brokeback Wildilfe Refuge, Part 2


“What the hail are you boys up to?”

Luke backed away from Cody’s ass, stumbling to pull up his own overalls as he faced the wrath of Mr. Booty himself. The man’s face, normally so composed and telegenic, was nearly apoplectic with rage. “You all are supposed to be watching the border, not fucking like goddamned rabbits!”

Cody fell backwards onto the sleeping bag and scrambled to pull his thermals back up. With the tent door open, Luke was quickly chilled through.

“Sorry, Mr. Booty,” Luke said. “We was watching, really. But there ain’t nobody coming out this way. Not a TV reporter or a po-lice. It’s like we don’t even matter.”

“Vigilance is essential,” Booty said. “You never know when they could swarm in on us with their SWAT teams in their Humvees.”

“I saw a birdwatcher a few hours ago,” Cody said, sitting up and facing Booty, his long johns cockeyed over his slim waist so that Luke could see a thin line of tender flesh between them and the ribbed white T-shirt. “He had them long-range binoculars, spying on us like we were some exhibit at the zoo.”

Cody’s overalls were still pooled at his feet, but he couldn’t get them up without standing, and there was no room in the tent for that.

“And you let him get away?” Booty demanded. “That calls for some punishment, boy. That and you all derelicting your duty out here.”

“Yes sir,” Cody and Luke said simultaneously.

“You, boy, get out there and patrol the perimeter,” Booty said to Luke. “And if you see anybody you come a running.”

Luke grabbing his shearling coat and stumbled out of the tent.

“What about me?” Cody asked.

“You need to learn who’s in charge around here,” Booty said. The sound of his zipper coming down sounded as loud as an airplane engine to Cody. With one meaty paw, Booty pulled his thick penis out and fisted himself a couple of times, moving the foreskin up and down. “Suck it boy. Suck it like you mean it.”

He leaned forward, his T-shirt riding up in back, and took Booty’s dick in his mouth. “It ain’t a toy there,” Booty commanded. “Show me you’re a real man and you know how to suck another real man’s dick.”

“Yes, sir,” Cody said, mumbling around the big sausage in his mouth. He relaxed his throat as much as he could and leaned forward, swallowing the older man down to the root. He sucked until he choked and tears formed in the corners of his eyes.

Booty whipped his belt out of his pants. Then he leaned over and shoved down the waistband of Cody’s thermals, exposing his ass to the cold air.

Whap! Booty’s belt stung against Cody’s ass. He tried to rear back but Booty had his head pressed down. Whap! The belt stung again and again as Booty fed his tube into Cody’s throat. “This’ll teach you a lesson, boy,” he said. “You want to be part of the Booty Militia, you play by my rules.”