Friday, December 06, 2019

Sometimes Ideas Come From the Most Unlikely of Places By Lois Winston



Every author will tell you that at some point in her writing life—and often countless times—she’s been asked where she gets the ideas for her stories. I’m a news junkie. I read two daily newspapers and watch both the local and national news each night, as well as various other daily and weekly news shows, including the ones hosted by comedians. Various plots and subplots in my books, as well many of the characters, are based on actual events and real people (with only the names changed to protect the innocent—or not so innocent.)

However, I don’t limit my reading and watching to the daily news. I also read op-ed columns, human-interest stories, and even advertisements for idea fodder. When I see something that intrigues me, I save it in my “Ideas” file.

For example, many years ago when I was still writing romance and chick lit, I’d forgotten to bring a book with me to a doctor’s appointment. The few magazines on the coffee table were several years old and totally not of interest to me. Out of desperation I began flipping through the pages of Road & Track. I am so not a Road & Track sort of girl, so you can imagine how desperate I must have been! Toward the back of the magazine, I came across an ad that touted an aftershave guaranteed to increase sexual attractiveness ten-fold. You better believe I ripped out that ad and filed it away in my “Ideas”. It eventually appeared in one of my early books.

Even the most unlikely reading material can stimulate a writer’s muse. While standing in line at the dry cleaner, I started reading the ads pinned to a bulletin board hanging on the wall. Most were for house painters and cleaning services, private tutors, and yard sales. But one ad stood out, intriguing me.

Someone was looking to sell a never-used, king-sized Ethan Allen bedroom set. The first book in my Anastasia Pollack Crafting Mystery Series was published in 2011, and I’ve been concentrating on writing mystery ever since. Back when I wrote romance, I would have conjured up quite different scenarios from the devious thoughts that now played around in my head.

Was the bedroom furniture up for sale because a wedding hadn’t taken place? Why had the wedding been canceled? Had either the bride or groom died?

Or was one of them murdered?

And if so, is one suspected of killing the other? By the time I inched my way to the front of the line, I’d generated a dozen likely plot scenarios, which I furiously jotted down as soon as I returned to my car. I haven’t used any of them yet, but they’re filed away in my binder. You’ll probably find one of those ideas fleshed out in one of Anastasia’s future adventures.

Handmade Ho-Ho Homicide

An Anastasia Pollack Crafting Mystery, Book 8

Two and a half weeks ago magazine crafts editor Anastasia Pollack arrived home to find Ira Pollack, her half-brother-in-law, had blinged out her home with enough Christmas lights to rival Rockefeller Center. Now he’s crammed her small yard with enormous cavorting inflatable characters. She and photojournalist boyfriend and possible spy Zack Barnes pack up the unwanted lawn decorations to return to Ira. They arrive to find his yard the scene of an over-the-top Christmas extravaganza. His neighbors are not happy with the animatronics, laser light show, and blaring music creating traffic jams on their normally quiet street. One of them expresses his displeasure with his fists before running off.

In the excitement, the deflated lawn ornaments are never returned to Ira. The next morning Anastasia once again heads to his house before work to drop them off. When she arrives, she discovers Ira’s attacker dead in Santa’s sleigh. Ira becomes the prime suspect in the man’s murder and begs Anastasia to help clear his name. But Anastasia has promised her sons she’ll keep her nose out of police business. What’s a reluctant amateur sleuth to do?

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Bio:

USA Today bestselling and award-winning author Lois Winston writes mystery, romance, romantic suspense, chick lit, women’s fiction, children’s chapter books, and nonfiction under her own name and her Emma Carlyle pen name. Kirkus Reviews dubbed her critically acclaimed Anastasia Pollack Crafting Mystery series, “North Jersey’s more mature answer to Stephanie Plum.” In addition, Lois is a former literary agent and an award-winning craft and needlework designer who often draws much of her source material for both her characters and plots from her experiences in the crafts industry. Website:

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Sunday, December 01, 2019

Kimo's Playlist Part 1

Kimo listens to a lot of Hawaiian music, and I often run across readers who aren’t aware of how wonderful this genre is. So here, for your musical enjoyment, is a first installment of some of Kimo’s (and my) favorite songs and artists.

Fiji are one of my favorite artists in the Jawaiian genre – a Jamaican reggae mix with Hawaiian artists and themes.One of Kimo's favorite songs is "Stone Cold in Love With You." It was hard to find an image of the artists, because the search term "Fiji" brings up so many options, so here's the cover of one of their albums.

https://www.youtube.com/watch?v=QC5LQYXKfiQ

Israel Kamakawiwo’ole: Over the Rainbow. You’ve probably heard this mashup on the radio, or in the episode of ER where Dr. Mark Greene dies.

https://www.youtube.com/watch?v=V1bFr2SWP1I>/td>


Jake Shimabukuro is a master of the ukulele, and his work is beautiful and soothing. Here’s a clip of him playing his version of George Harrison’s “While My Guitar Gently Weeps.” And a personal note: His mother, Betty Shimabukuro, used to review books for the Honolulu Star-Advertiser, and long ago she reviewed Mahu for them./td>
Keola Beamer: Wooden Boat. One of my very favorite infectious songs, which I’ve references several times in books. Sorry I can’t find a performance video of this:

https://www.youtube.com/watch?v=MCZ8ds_9eEY
Keali’i Reichel: Here performing “Every Road Leads Back to You” with Sistah Robi.

https://www.youtube.com/watch?v=B0_uLxKmhc8

Monday, October 21, 2019

An Ear for Language

People often assume that I live in Hawai’i, because I incorporate so many cultural references, particularly bits of Hawaiian pidgin. While I wish (so much!) that I lived in the Aloha State, I have to get by with research.

One element of my research that I rarely hear other authors mention is audio and video. The last couple of times I was in Hawai’i, I made sure to listen to the radio, to hear commentators and traffic reports with the unique local accent. Now that I am home, I follow Hawaiian 105 KINE on Facebook whenever I want to hear someone speak, and to hear the musical artists they bring into their studio.

I usually avoid using macrons over letters in my published works, because English speakers have a different interpretation of those diacritical marks. We’ve been trained that ā in a dictionary definition means a long a, as in Abe. In Hawaiian, though, it means you put more emphasis on that vowel than you ordinarily might.

I remember being stunned the first time I heard an announcer mention a traffic pile up in Mānoa, near the University of Hawai’i campus. Mānoa is pronounced MAAH-no-ah, as best as I can represent, where an English-speaker might think from the macron it’s pronounced MAY-no-ah.

While I’ve read blogs and definitions of the macron, there’s no substitute for hearing the way a local pronounces such words. Now, thanks to the Internet, Facebook and YouTube, I can hear those pronunciations whenever I want.

I have learned about Ka Lahui Hawaii, the Hawaiian sovereignty movement, from them (which also features in Mahu Blood.)

They are also filming the protests at Mauna Kea by Pu'uhonua o Pu'uhuluhulu Maunakea to protect sacred land there. I have heard wonderful chants and watched beautiful hula dances there, by both men and women. It’s a very moving spectacle, and one that may inspire a future book!

Monday, October 07, 2019

Deadly Labors

My characters talk to me. When I’m writing, it’s almost like I am taking dictation from somewhere in the depths of my brain, where my characters live. This has a great advantage when it comes to writing, of course. But the protagonist of my mystery series set in Honolulu, openly gay homicide detective Kimo Kanapa’aka, is notoriously finicky about when he’s ready to speak up.

Mahu, the first book in the series, was accepted for publication by Harrington Park Press, a small imprint from a larger textbook publisher, back in 2003. I was so excited, and so was Kimo. But I wasn’t willing to commit to a second book in the series until I knew if the first would succeed.

Kimo was dragged out of the closet in Mahu, and I knew he would have to take a lot of small steps before he fully accepted himself. So I wrote short stories that moved his life forward, inch by inch. Then the company that owned HPP was sold and the imprint shuttered. I had already written the second and third books in the series, though, and this was long before the advent of self-publishing.

I was extremely fortunate to move Kimo to Alyson Books, which published the first four books in the series before they, too, shut down as a result of a corporate merger. Then Laura Baumbach, owner of MLR Press, agreed to take on the whole series, reprinting the first three and then publishing five more titles.

I had other irons in the fire by then, other standalone books published, and other series in the works. Kimo had stopped speaking to me, and I thought we were done.

I was on the train heading to the big mystery conference, Bouchercon, in St. Louis in the fall of 2011, when Kimo’s boyfriend, fire investigator Mike Riccardi, dragged me into the middle of a conversation he and Kimo were having. As excited as I was to hear them again, I wanted them to shut up until I could get off the train, check into the hotel, and start transcribing their voices!

I wrote four more books on the tide of that inspiration, and then, with Ghost Ship, Kimo was settled with Mike, their foster son and the two kids they shared with a lesbian couple. Since the arc of the series had been how Kimo’s life unfolds after he comes out, I didn't think he had more to say.

Wrong, as usual. I read an article online about a program to teach the hula to to inmates at San Quentin, as part of a native American heritage program. This time, it wasn’t Kimo so much as his mother who began to speak. The son of her friend had gone through that program in prison, returned to the islands and turned his life around. Then he was arrested for a murder Kimo’s mom was sure he couldn’t have committed.

Who among us can resist an entreaty from a mom who has been nothing but supportive throughout her son’s checkered life? Kimo couldn’t, and neither could I. Thus begins Deadly Labors, the 12th book (and 10th novel) in the series. I hope fans will be excited to catch up with Kimo and his ohana (the Hawaiian word for extended family) and that new readers will be intrigued to learn about the dark shadows behind the Aloha State’s sunny façade.

I thought this would be a good chance to take back ownership of the series and relaunch it with new, modern covers. I love the fresh look the series has, and hope you will, too.

Sunday, September 29, 2019

What I Learned from Yard Sales

I picked up a wickedly pointed metal object from the dining room table, holding it by its hollow handle, and asked, "Mom, can we sell this garden trowel?"
She looked up from the box of file folders, staplers and paper clips she was sorting and said, "That's not a trowel, it's a bayonet. Give it to your father."

This was some thirty-plus years ago, when I went back to my parents’ house in Yardley, Pennsylvania, to prepare for a yard sale.

Before I arrived, my mother placed ads in the local papers, announcing a garage sale, featuring furniture, household goods and tools. The first customers showed up a little after eight on Saturday morning, while we were still finishing breakfast. They were so interested in what we had to offer that many of them helped us empty boxes, loading books, handbags, jewelry, office supplies and toys onto our folding card tables.

One of our best customers was Tony, of Tony's Auto Repair, the local AAA towing agent. Tony's wife cruised by early in the morning, and walked around back to my father's basement workshop. I was down there with him handling the cash and trying to make sure no one walked off with any of his dozens of hand tools. She looked around at the clutter, the piles of sawdust and metal shavings, and said, "I'm going to bring my husband back here. This is his kind of place."

Tony himself appeared around lunch time, and after scoping out the basement and the garage he bought a couple of wrench sets, a screwdriver, and my father's drill press. Tony's auto shop is next door to the insurance agency on Ferry street down by the river, one of the four streets that make up the center of Yardley. Before he left, he told my father that the insurance agent next door to him was looking for a circular saw, and that he'd send him by. Yardley was still a small town back then, where you know your neighbors and the kind of tools they're looking for. Even though the ad in the paper said the sale was from nine to three, we were still doing business at nine o'clock at night.

One of our late customers was a mechanical engineer who lived on Main Street in Yardley, a block south of the commercial center, which consists of a few dozen stone and clapboard buildings. Back then, we had five real estate brokerages, a grocery, a delicatessen, a state-run liquor store and a number of boutiques, insurance agencies and doctors' offices. The five and dime closed when I was a teenager, and the hardware and feed store at the corner by the traffic light was replaced by a real estate broker a few years back, as the area surrounding the town made the transition from rural to suburban.

The engineer was a referral, from a co-worker at the Navy turbine plant in West Trenton, just across the river. He bought the lathe, which took us nearly an hour to get unbolted from my father's workbench. I found out that my grandfather had built the workbench, something I'd never known. He was a good carpenter-- I knew he'd built the old back porch on our house, the one we took out when we built the big modern deck.

While we were carrying the lathe out to his car, I learned that the engineer had gone to Pennsbury High, as I had, and graduated in 1960. He was from Levittown, the suburban megalopolis on the other side of the highway, but he said he'd had a girlfriend in Yardley so he'd spent a lot of time there. That’s one of the reasons why I set the golden retriever books in a town that’s very much like Yardley, though a few miles farther upriver. So that as I did during those yard sales, Steve could run into old friends and their families, and people who shared his background.

Saturday, September 21, 2019

Dogs and cats in books

I've been a fan of Mary Lee Ashford's since I met her and her writing partner (under the name of Sparkle Abbey) at a Malice Domestic conference years ago. Ever since I've enjoyed reading the Pampered Housedogs series, and I've also enjoyed Mary Lee's Sugar and Spice books. So I invited her to come visit my blog and talk about dogs and cats in books.
I am so excited to be a guest on Neil’s blog and even more excited to hear that he had a new Golden Retriever book out this month! Dog’s Green Earth is definitely right on the top of my to-be-read list and I hope it’s on yours as well.
You see, I love dogs (and cats, too) in books and Rochester, the aforementioned golden retriever, is a great example of why. When books have pets that are fully integrated into the story, it makes the story so much richer. And those canine or feline characters help us get to know the human characters in the story.

First off, just like in real life, whether someone has a pet or not tells us a lot about them. If they don’t, why not? Do they wish they could, but live somewhere that doesn’t allow pets? Have they had a bad experience?

If they do have a pet, how they came to have this particular pet tells us even more. Was it a search for just the right cat or dog? A desire for a particular breed? Or are they, like me, an adopter of strays and a supporter of animal rescue shelters? Neither approach is right or wrong, but it may shed some light on this character’s background and what makes them tick.

And how about the other characters in the book? How do they react to the pets? And, just as important, how do the pets react to them? It’s certainly true that you can tell a lot about a person by the way they treat animals.

When I started writing the Sugar & Spice mystery series, I gave Sugar a cat, Ernest, and Dixie, a dog. Dixie’s dog, Moto, is a mixed breed she adopted from the local rescue. And Ernest, is a six-toed tabby who adopted Sugar. She didn’t plan on having a cat, but…now she does.

Animals in a book not only give you great insights on the characters, but they can also, at times, play a part in the plot of the story. Perhaps, prompting action, increasing conflict, or serving as a cohort in uncovering a clue.

How about you? Do you like pets in books? Do you have a favorite fictional dog or cat?

About the Sugar & Spice Mysteries:

Sugar (Rosetta Sugar-Baker), a down-sized magazine editor and Spice (Dixie Spicer), a blue-ribbon baker, believe they have the perfect ingredients for a successful community cookbook publishing business. When you stir in a dash of small town drama and a dollop of murder the result is a delicious new mystery series…

Game of Scones - Sugar & Spice Mysteries Book 1

Risky Biscuits - Sugar & Spice Mysteries Book 2

About Mary Lee

Mary Lee Ashford writes the Sugar and Spice series for Kensington Books, and also writes as half of the writing team of Sparkle Abbey. She is the founding president of Sisters in Crime – Iowa and a former board member of the Mystery Writers of America Midwest chapter, as well as a member of Novelists, Inc., Romance Writers of America, Kiss of Death the RWA Mystery Suspense chapter, Sisters in Crime, and the SinC Internet group, Guppies. Her delights are encouraging other writers, reading, and enjoying her family, especially her six grandchildren.

And she loves to connect with readers!

Website: www.MaryLeeAshford.com

Monday, September 16, 2019

Yardley and Stewart's Crossing

It’s no secret that I have based Stewart’s Crossing on Yardley, the small town in Bucks County, PA where I grew up. It had once been a river town, with an active business life along the bank and a broad street stretching down to a two-lane bridge. But when the bridge crumbled during the hurricane of '58 so did much of Yardley's identity. When I was a kid, a funeral home, a cafe, a gas station rarely patronized and an inn comprised the riverfront, and small houses and bungalows stretch away in both directions.

You could see evidence of the fact that we lived in the Delaware Valley as we climbed hills outside of town, where farmland stretched for miles. When I took the late bus home from high school, we roved those country lanes and dropped kids off in front of farms and silos.

Back then, the town’s focus shifted a bit west, to Main Street, where the old mill and the florist's greenhouses anchored the commercial district. Victorian houses heavy with gingerbread abut the modern firehouse, with its two bays; the remodeled bank, town hall, the small shopping center, the doctor's offices and the decorator shops, the convenience mart and pharmacies and real estate agents fill the rest of the street.

Today, a lone traffic light still guards the intersection of Main Street and Afton Avenue, that broad street that stretches down to the remains of the old bridge, now a memorial to victims of the war, where a wilting wreath of red, white and blue usually rests. On its way there, Afton Avenue jumps over the canal, which stretches parallel and quiet along the Delaware, and runs past more decorator shops, gas stations, and grocery stores.

In the other direction, Afton Avenue climbs one of the hills that make the Delaware Valley, passing the mill pond and the old library, a Victorian Gothic one-room building with peaked windows and high shutters. It was built in the late 1800s by the townspeople and only in the recent past did the growth of the surrounding area force it to move to new, more spacious headquarters farther out in the country.

The suburbs have encroached on the farmland I once knew. Driving inland now, I hardly recognize any landmarks, the familiar old streets now lined with housing developments and strip shopping centers. There’s even a Fortune 500 company, Crown Holdings, located somewhere in town. When I was growing up, riding my bike along the cracked sidewalks of downtown, I couldn’t have imagined that.

I’ve tried to recreate some of old Yardley in my portrait of Stewart’s Crossing. The Delaware still flows past, shallow and fast, rising up to the low points on the River Road during the spring rains, when it carries with it the runoff of upriver snows. Since so many cozy mysteries take place in small towns, there’s no reason why I can’t immortalize my own home town in fiction, the way Bruce Springsteen did with his in song.