Guest Post by Kay Kendall
T. Jefferson Parker, the bestselling author of 20 crime
novels, confided to me last week that his two mysteries that touched on the Vietnam
War had “my readers staying away in droves.” Needless to say, he never tried a
third.
His words made me feel a little better—one of the maxims I
live by is “misery loves company.” You see, my debut novel, just published by
Stairway Press this spring, has that war as a backdrop. I had guessed it
wouldn’t be a big draw as subject matter, but I had no idea how many people would
tell me they never read anything to do with that conflict.
Mr. Parker was a headline speaker at ThrillerFest 2013,
and I was an International Thriller Debut Author of the class of 2013. Our
paths intersected, and we spoke for a long time. In all his conversation, what
stayed with me, word for word, was his line about readers avoiding the subject
of a war that Americans know we didn’t win. Were the sacrifices worth it? Let’s
just not think about it.
Within the mystery genre, historical fiction is my
personal favorite. Many authors locate their sleuths and spymasters during the
wars of the twentieth century. The two world wars and the Cold War all have
hundreds of novels set during those times. The only significant war era of last
century not “taken,” not overrun with mysteries, occurred in Vietnam. Using the home front during that war was a
comparatively empty niche, and I concluded I needed to fill it with my
mysteries.
I wanted to show what life was like for young women of
that era—not the type who made headlines, the Hanoi Janes or Angela Davises,
but the moderates who nonetheless got swept along by the tides of history
during the turbulent sixties. All that turmoil lends itself to drama, intrigue,
and murder. I figured that if readers could enjoy mysteries set during war
eras, then Vietnam would be no different. But America was victorious in World
Wars I and II and the Cold War.
The heartwarming part about my debut novel—and there is
one, thank goodness—is that people who do read Desolation Row—An Austin Starr
Mystery
enjoy it a lot. My reviews are excellent, and no one online has trashed
my writing or my subject matter. (I’m knocking on wood. No need to take
chances.)
Only yesterday I learned that a veteran of the Vietnam War
was so engrossed in reading it that he stayed up all night to finish, then
called his sister-in-law the next morning and showered my book with praise for
ten minutes. She is my friend and a writer of exquisite short stories. When she
read and loved my mystery, she thought he might enjoy it too. And he did.
So, the bottom line for me is that even if T. Jefferson
Parker had warned me ahead of time to stay clear of the war that many have
compared to a quagmire, I would not have paid his advice any heed. The story of
Desolation
Row had to come to light. I had to write that book so that the others
that were waiting in line behind it, more or less patiently, could have their
turn too.
The British statesman and philosopher Edmond Burke wrote,
“Those who do not know history are destined to repeat it.” As well, how can you
hope to understand how we got where we are now when you don’t understand where
we came from?
Events that happened in the sixties and early seventies
still echo down the decades today. Just as some describe America’s battles in
Iraq as “the Vietnam War in the sand,” the upheavals of women’s liberation have
not ended.
That is why I am setting my next Austin Starr mystery in
1970. This time murder occurs in a women’s liberation consciousness raising
group. Trouble ensues. Clearly I believe in serving up a little history in a
setting of a long-gone world with my murder and mayhem.
There were not even answering machines, let alone cell
phones and DVRs. Imagine that! How cool. How quaint.
ABOUT DESOLATION ROW—AN AUSTIN STARR MYSTERY
In 1968 a young bride from
Texas uses her CIA-honed skills to catch the real killer when her husband lands
in a Canadian jail for murdering the draft-resisting son of a United States
senator.
No activist herself, Austin
is homesick, drowning in culture shock, and now, her husband has been accused
of murdering a fellow draft resister, the black-sheep son of a U.S. Senator.
Alone and ill-equipped to negotiate in a foreign country, she is befriended by
Larissa Klimenko, the daughter of Austin's Russian history professor.
The Mounties aren't supposed
to harass draft-age boys but the truth is very different, especially when
political pressure is applied by both the victim's father and the Canadian
prime minister's office. They may have a reputation for always getting their
man, but Austin is convinced this time they have the wrong one. Once courted by
the CIA, and a lover of mystery and espionage novels, Austin launches her own
investigation into the murder. When ominous letters warning her to stop her
sleuthing turn into death threats, Austin must find the real killer or risk
losing everything. Her love-and her life-are on the line.
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